Fanfarlo, fresh off the boat from bloody England, has a unique way of capturing the current indie-folk trend.
Elephant Revival's sound, at times described as "transcendental folk," is haunting and beautiful, serious and comforting.
St Paul and the Broken Bones take y'all to church in a live session filled with knee-dropping soul and rhythm and blues.
Pick a genre: punk, cowpunk, rock, alt country, singer-songwriter and you will find that Alejandro Escovedo has done it all.
In the late 1970s and early '80s, Gary Numan became a new wave messiah with his paranoia-filled robo-rock tune "Cars."
The dirty, lonesome sound of Gangstagrass may have traditionalists daydreaming that both Bill Monroe and Eazy E are rolling over in their graves.
Sounding like a hypnotic and haunted cross-country trip, Roadkill Ghost Choir lives up to their band name.
Expanding upon sounds first captured in their childhood, the Spring Standards offer listeners a dulcet escape into a vivid world of folk, story-telling and hushed instrumentation.
Careening between pangs of regret, bouts with sorrow and fits of rage, Ume commands a deep and varied palette of emotions in this performance of songs from their new album, "Monuments."
Laura Doherty first won the hearts of adults and children alike in her earlier studio albums "Kids in the City," released in 2009, and "Shining Like a Star," in 2011. Now, with her release of "In a Heartbeat," she's done it again as you'll hear on these three live recordings.