The set-up is simple. Thomas, a theater director, has been holding auditions for the play he's written. He's on the phone complaining about the women who've read for the lead female role — not good, not smart.
Frank Manley and Vincent Murphy's "The Cockfighter" presents a dilemma: how does one deal with the inevitable sadness of the world? In the words of one of their characters: "How can a man lose and lose, over and over and over again, until he has nothing left -- and still have more to lose?" The West End Players have staged the local premiere of this play, and it left me pondering my own answers as I left.
"Off the Map" is not an easy play to do. It has something a little Chekhovian about it. A family, a friend, an unexpected visitor, isolated, with troubles personal, financial, even, suddenly, erotic.
If there were a pill you could take to make you love your job, would you use it? If you are as miserable as Meena Pierotti (Laura Singleton), a frustrated poet with an MFA wasting her life editing a livestock magazine, you might.
Playwright Brian Friel, best known for "Dancing at Lughnasa," wrote "Lovers" fairly early in his career. It's now being produced by West End Players Guild under Jan Meyer's sure-handed direction.
"Thou shalt not kill," the Commandment says. But what if you DO kill a whole lot of people and rather than officials arguing over the choice of "death drugs" you'll receive—oops, wait, that's a state of Missouri thing—you get a medal for your actions?
"The Hothouse" is a dark, sinister play with plenty of laughs to go around - classic early Pinter and very well done.
Lonesome Hollow is a small town in a natural bowl shaped by the hills around it. It seems peaceful here in a time identified as “soon-ish.” The residents have no particular duties that we can ascertain. Meals and housing are provided, as you would expect, for Lonesome Hollow is a prison.