St. Louis native Richard Gannaway -- guitarist, composer and producer -- began his music career as a touring folk musician in 1974.
After my first day at SXSW 2015, the first thing I say to myself in the morning: "I need some tacos."
Hailing from Masaya, Nicaragua, Milly Majuc fuses ska, reggae, Latin music and contemporary rock in ways that few bands would dare, let alone imagine. Just try to keep from dancing along to the track "Giovana."
It was a night with endless musical choices in St. Louis as the best of the local scene offered a list of pre-Mardi Gras events in addition to our standard Friday selection of concerts, but the Sheldon had little trouble filling its concert hall. The split bill drew in a blend of aficionados from both American and African folk music for a night that beautifully illustrated familial connection in the musical roots of both continents.
What would a Mumford & Sons song, say "Below My Feet," sound like delivered by Malawian and Nigerian musicians and produced by a London DJ? Exactly like "Maso Luso," a new cover by Esau Mwamwaya, Seye Adelekan and Johan Hugo, aka the Very Best & Seye.
Cliff Hines and his quintet are all graduates of the renowned New Orleans Center for Creative Arts, the city's progressive arts high school and the book learning appears to have done them some good.
His first full-length studio release in seven years, Jimmy Cliff's "Rebirth" embodies the finest bits of '60s and '70s reggae while having a sound that is distinctly modern.