Film Reviews
© Courtesy of TIFF

At the heart of director Fernando Meirelles' “The Two Popes” lies the debate over the compassionate, constructive course for the Roman Catholic Church, in particular, and any esteemed alliance, in general. Which choice--tradition or reform--offers the better path: adhering to values affirmed over centuries or incorporating beliefs and principles that keep modern followers committed to the institution.

Set in this unprecedented time with two recognized Popes, the narrative presents an imagined, enthralling series of conversations between conservative Pope Benedict XVI and progressive Cardinal Bergoglio, destined to be Pope Francis, the first Jesuit to hold that esteemed office. This profound interaction between the previous Cardinal Ratzinger, of German heritage, and Argentinian Cardinal Jorge Bergoglio occurs when Bergoglio comes to the Vatican to submit his resignation from the archdiocese of Buenos Aires. They meet several times, disagree, laugh, share meals, and explore critical issues, including brief mention of corruption and pedophilia problems. Church rituals for Papal election procedures add information and increase interest with behind-the-scenes interaction. Vivid costume colors offer visual stimulation, and seamless editing integrates past events, critically important especially in Cardinal Bergoglio's life.

Author of “Darkest Hour,” Anthony McCarten provides a remarkable, well-crafted script that cares about language. Benedict and Francis deliberate compromise vs. change, regrets and forgiveness, acceptance of our own humanity and believing in the mercy that they preach. The performances by Anthony Hopkins as Benedict and Jonathan Pryce as Francis accentuate the depth of their characters' concerns.

Technically, César Charlone's cinematography clearly differentiates flashbacks to Bergoglio's early, more troubled years from brightly lit exposures in Vatican gardens, interior rooms, and the Sistine Chapel. An exact replica of the Sistine was built, over ten weeks, on Rome's Cinecitta sound stage, with exact copies of the frescoes.

Metaphors comment unobtrusively on a variety of current issues: building bridges not walls, income inequality, tyranny, modest vs. indulgent life styles. These important topics are punctuated with nice touches of humor and music. “The Two Popes” speaks to everyone who examines, as honestly as possible, the decisions of their lives. Streaming now on Netflix and available through other video services. Check listings.

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